Craig Colclough began his career at the Los Angeles Opera. After two seasons appearing with the company in various roles, Mr. Colclough joined Florida Grand Opera’s Young Artist Studio, and in 2012, became a Filene Young Artist at the Wolf Trap Opera Company.
The autumn of 2016 finds Craig Colclough’s return to London for Scarpia in Tosca with English National Opera, a role which serves as his debut at Canadian Opera Company later in the season. He also joins the Minnesota Opera for Doristo in L’arbore di Diana, and spends the summer singing the title role in Verdi’s Falstaff with Opera Saratoga. Future seasons include engagements with Royal Opera Covent Garden, the Dallas Opera, and Opera Vlaanderen.
Last season Mr. Colclough’s performances included appearances with Arizona Opera as the title role in Falstaff and Simon Bolivar Symphony Orchestra of Venezuela, for Timur in Turandot, conducted by Gustavo Dudamel. Additionally, he returned to English National Opera for his role debut of Kurwenal in Tristan und Isolde, and Los Angeles Opera for Simone in Gianni Schicchi. On the concert stage, he debuted with the Los Angeles Philharmonic as Dottore Grenvil in La traviata.
In the 2014–2015 season, Craig Colclough made his European debut with English National Opera as Jack Rance in La fanciulla del West, returned to Los Angeles Opera for concert performances of Hercules v. Vampires (roles of God of Evil and Procrustes), and also debuted with Atlanta Opera as Figaro in Le nozze di Figaro, as well as Lyric Opera of Kansas City as Lieutenant Gordon in Silent Night.
During the 2013–2014 season, the bass-baritone essayed the title role in Don Pasquale at the Arizona Opera, covered the title role in Falstaff for both San Francisco Opera and Los Angeles Opera, and appeared as Bosun in Billy Budd at the Los Angeles Opera. In concert, Mr. Colcough appeared with the Orange County Philharmonic Society for Beethoven’s Symphony No. 9.
Past leading roles include the title role in Verdi’s Falstaff, Don Giovanni, Leporello and Il Commendatore in Mozart’s Don Giovanni, Nick Shadow in Stravinsky’s The Rake’s Progress, Collatinus in Britten’s The Rape of Lucretia, Oroveso in Bellini’s Norma, Rambaldo in Puccini’s La rondine, Raimondo in Donizetti’s Lucia di Lammermoor, Friar Laurence in Gounod’s Roméo et Juliete, and the title role in Mendelssohn’s Elijah. Additional credits include the Israeli Symphony Orchestra, California Philharmonic, Capitol Records, Abbey Road Studios, and the soundtrack of the film Rolled.